Beat Sheet

Organized around the four-act structure. See Structure for the framework. Beats are working notes — to be refined in script development.


Act 1 — Arrival / Transition

BeatDescription
Opening imageStaten Island apartment in move-out state — their life before
Relationship baselineKendrie and Charlize in easy, warm domestic rhythm
The decision / transitMoving toward the Bronx house; the ferry; the arrival
First look at the houseExterior — ordinary; resist the ominous establishing shot
The familyGround floor; Melissa, Alexis (briefly), the Uncle (who arrives and leaves)
Kendrie’s first noticeShe registers him leaving; she doesn’t name it
First basement visitShe goes down once, briefly; feels something; comes back up; says nothing
Act 1 closeThe house at night, first night; Kendrie doesn’t sleep well; Charlize does

Act 2 — Emotional Occupation

BeatDescription
Settling inDomestic routines establish; the house becomes familiar-unfamiliar
Sleep pattern disruptsKendrie’s consistent mild sleep disruption; she doesn’t name it as such
First communication attemptKendrie tries to tell Charlize something is off; Charlize offers rational explanation
Charlize’s loveA scene of genuine warmth between them — do not forget the relationship
The Uncle’s second departureKendrie notices the pattern; catches Charlize noticing her noticing
Alexis deepensFirst real conversation between Kendrie and Alexis; the space is opened
Second communication attemptKendrie tries again; Charlize’s dismissal costs more this time
First fractureSomething closes between them that had been open
Act 2 closeKendrie in the house at night, more awake than asleep; the house very quiet

Act 3 — Escalation

BeatDescription
Alexis chooses KendrieAlexis makes the decision to tell her
The tellingAlexis shares the full history — both deaths, same room, years apart, she found them both
Kendrie receives itWithout dramatizing; she recognizes the name for what she’s been feeling
Kendrie descendsAlone, with knowledge — the long basement scene
After the descentSomething in Kendrie has shifted; she is more settled, not less
Charlize doesn’t knowThe information has not reached Charlize yet; this gap is now a fracture
Charlize begins to feelShe loses access to her own certainty; cannot explain her fear
The transfer of knowledgeKendrie tells Charlize what Alexis told her — but second-hand; the scene is different
Charlize’s breakShe cannot rationalize; she is frightened; she does not have language for this
Act 3 closeThe couple at their most separated — by knowledge, by fear, by different registers

Act 4 — Lingering

BeatDescription
AftermathWhatever crisis the third act arrived at — what remains
The park sceneOutside the house; in air; the most honest conversation possible
The mirror sceneKendrie, or both; the long look; the question of who she is inside this
ReturnBack to the house; the decision of whether to stay
Final imageThe house, exterior, from the street, after the characters have left the frame

Notes

The beat sheet is a skeleton. The scenes that matter most in this film — the long basement scene, the telling, Charlize’s break — are scenes the script must develop from the inside. They cannot be written from structure. They are written from character.